I don’t really know what kind of history books bigots like you read.
The Great Libraries of Timbuktu? The steel metallurgy of the Haya? Dentistry? Caesarean section? Premature neonatal care? Mathematics, architecture, engineering?
I know it’s hard for a racist like you who imagines “technological advancement” to be some kind of end-all-be-all, or proof of some “inherent intelligence”. I know, I know. It’s hard to imagine, but Europeans have been drawing knowledge from everyone around them since the dawn of time. What did you think ended the Dark Ages?
Your magical (read: white supremacist) idea of a purely 'white' Rome never existed.
The Minoan culture on the island of Crete between 1500-1700 B.C.E. had a highly developed waste management system. They had very advanced plumbing and designed places to dispose of organic wastes. Knossos, the capital city, had a central courtyard with baths that were filled and emptied using terra-cotta pipes. This piping system is similar to techniques used today. They had large sewers built of stone.”
In case you needed further clarification, neither the Minoans nor other (later) Greeks were ethnically uniform. They also had the first flush toilets, dating back to 18th century B.C.E. They had flushing toilets, with wooden seats and an overhead reservoir. The Minoan royals were the last group to use flushing toilets until the re-development of that technology in 1596.
Oh, and look the Mayans had indoor plumbing, acqueducts, and pressurized water too. I mean, you can ignore that the area Mayans lived in had little to few rivers, no lakes or standing water, nor other sources of running water, while simultaneously dealing with monsoons and flooding due to one of the heaviest yearly rainfalls in the Americas.
Classic Maya even used household water filters using locally abundant limestone carved into a porous cylinder, made so as to work in a manner strikingly similar to modern ceramic water filters.
Of course, by this time millenia later none of your precious “white people” had developed any methods besides shitting in pots.Continuing, the earliest archaeological record of an advanced system of drainage comes from the Indus Valley Civilization from around 3100 B.C.E in what is now Pakistan and North India. By 2500 B.C.E (almost 5,000 years ago), highly developed drainage system where wastewater from each house flowed into the main drain.All houses in the major cities of Harappa and Mohenjo−daro had access to water and drainage facilities. Waste water was directed to covered drains which lined the major streets directed to covered drains, which lined the major streets. Each home had its own private drinking well and its own private bathroom. The mains that carried wastewater to a cesspit were tall enough for people to walk through. Reservoirs, a central drainage system, fresh water pumped into the homes. Pools. Baths.It was made from bricks smoothened and joined together seamlessly. The expert masonry kept the sewer watertight. Drops at regular intervals acted like an automatic cleaning device.
Filters for solid waste.Sorry, what were the British doing up until like, 200 years ago? Shitting in the streets? Oh yeah.I mean, I could get into how by the Shang Dynasty (roughly 1600 B.C.E.), China had sophisticated plumbing including pressure inverted siphons.
Or into the city of Amarna, Ancient Egypt. Or Persepolis, Persia and the Achaemenids in 600 B.C.E.But, I mean, it sounds like the only one still in the Bronze Age is you.
I love it when people bring facts to white supremacist logic.
Here’s the latest in a string of deals that The Black List screenplay database has made with Hollywood to find new and diverse talent.
The Walt Disney Studios Feature Writers Program is a paid one year residency housed in Disney’s live-action production group that provides up-and-coming feature writers with development and mentorship opportunities.
Starting today, writers with screenplays hosted on the Black List site can opt into consideration for the program, which seeks to identify writers with diverse perspectives who have not made more than $250K for their screenwriting.
This is the second studio partnership for The Black List after a $90,000 feature program was announced at Warner Bros. last summer. The site has also set up similar partnerships with TBS/TNT, independent producer Cassian Elwes and the Sundance Institute to provide opportunities for new screenwriters.
For additional details and submission requirements for the Feature Writers Program, visit The Black List HERE.
ok, i am fully sick of this shit, dictionaries are not sparkly magical oases of unbiased truth, utterly untouched by racism or political agenda
whose political agenda exactly? here, lemme show you. i took five minutes to search for the creators and current owners of merriam-webster and the oxford dictionary and this is what i got
noah webster, wrote the first webster’s. did you also know he was a hardxcore american nationalist and christian who thought the written word was explicitly a tool that needed to be used to control public dissent and individualism which he considered to be badwrong? LOOK IT UP, SHITDICK
oh but who owns it now? well websters became merriam-websters which is a subsidiary of encyclopaedia britannica inc. currently, but here are just some of the white dudes who owned the rights to webster’s shit along the way
hello richard warren sears, yes THAT sears, you are looking particular white and rich
senator william benton, yale graduate, founder of benton & bowles advertising company! rockin that rich whiteness
jacqui safra! member of the famous safra banking family, current owner of encyclopaedia britannica, and merriam-webster and spring mountain vineyard, friend of woody allen and financer of EIGHT of his films. how deliciously white and rich you smell.
here is a small sample of the white dudes that collabed on oxford dictionary originally, archbishop trench, herbert coleridge, frederick james furnivall and sir james murray by this point i was 500% done with reading biographies on boring white dudes doing boring white dude things so instead let’s just all bask in how boring and white they are
for added fun the wiki article on the oxford dictionary has a whole section on criticisms that basically outlines exactly the fucking problem here
Despite its claim of authority on the English language, the Oxford English Dictionary has been criticised from various angles. It has become a target precisely because of its massiveness, its claims to authority, and above all its influence. In his review of the 1982 supplement, University of Oxford linguist Roy Harris writes that criticizing the OED is extremely difficult because “one is dealing not just with a dictionary but with a national institution”, one that “has become, like the English monarchy, virtually immune from criticism in principle”.:935 Harris also criticises what he sees as the “black-and-white lexicography” of the Dictionary, by which he means its reliance upon printed language over spoken—and then only privileged forms of printing. He further notes that, while neologisms from respected “literary” authors such as Samuel Beckett and Virginia Woolf are included, usage of words in newspapers or other, less “respectable”, sources hold less sway, although they may be commonly used.:935 He writes that the OED’s “[b]lack-and-white lexicography is also black-and-white in that it takes upon itself to pronounce authoritatively on the rights and wrongs of usage”,:935 faulting the Dictionary’s prescriptive, rather than descriptive, usage. To Harris, this prescriptive classification of certain usages as “erroneous” and the complete omission of various forms and usages cumulatively represent the “social bias[es]” of the (presumably well-educated and wealthy) compilers.:936
so basically, fuck you, you fucking fuck, if you trot out a dictionary definition as proof of racism against white people cuz THE DICTIONARY SAYS that racism is defined only as “racial prejudice or discrimination” (merriam-webster) or “prejudice, discrimination, or antagonism directed against someone of a different race” (oxford).
well guess the fuck what.
RICH WHITE PEOPLE WRITE AND CONTROL ENGLISH DICTIONARIES.
RICH WHITE PEOPLE ARE THE ONES DEFINING THE WORDS THAT MAKE IT INTO ENGLISH DICTIONARIES.
AND IF YOU THINK FOR A SECOND THAT RICH WHITE PEOPLE ARE WITHOUT MAJOR FUCKING BIAS YOU’VE GOT ANOTHER FUCKING THING COMING, MAINLY A WHOLE WORLD OF UNCHALLENGED IGNORANCE
all of this.
what i like to bring up as an example is the tomato. you know how everybody argues about whether or not it’s a fruit or a vegetable? so get this: legally, the tomato is a vegetable. the SCOTUS ruled in 1893 that the tomato is a vegetable because they wanted it to get taxed (at that time there was no tax on fruits and U.S. markets were being flooded by foreign fruits).
you guys, the definition of a tomato had a political agenda.
a fucking tomato.
what on earth does quoting the dictionary on oppression (which is vastly more complex than a tomato, mind you) make you think that you’re somehow unbiased or neutral
For anyone who wants to harass me about the “white dictionary” thing ever again
THE SEA IS OURS is an anthology of Southeast Asian steampunk. We are looking for steampunk stories that are set in Southeast Asia (SEA), or secondary worlds that evoke Southeast Asia, with Southeast Asian protagonists, in any of the countries that make up the region: Brunei Darussalam, Cambodia, East Timor, Indonesia, Laos, Malaysia, Myanmar, Papua New Guinea, the Philippines, Singapore, Thailand, and Vietnam. We are seeking historically and technologically-innovative stories.
Steampunk, for the purposes of this anthology, is defined as an aesthetic that combines technofantasy, anachronism, retro-futurism, an alternate history/world, and the evocation of an incipient industrial revolution. How does the steampunk aesthetic look, feel, sound, smell, or taste like in these regions? What kind of technologies would grow in resource-rich SEAsia? What do our historical figures, our Parameswaras, Trung sisters, Lapu-Lapus, do in such a world?
Submissions are encouraged to explore various levels and kinds of technologies, not just steam technology. Locals myths can also find their way into these stories; what does the mix of technology and fantasy look like in such worlds? We welcome exploration of all kinds of stories: from the extraordinary to the everyday. What changes does accelerated technology create for the local landscape and societies? If historical events are given a steampunk twist, how do their outcomes change, or stay the same?
SUBMISSIONS CLOSE JUNE 30, 2014.
We will contact all submitters within four weeks of submissions closing.GENERAL GUIDELINES:
- •Stories should have a visible development arc, even if they are somewhat experimental.
- •Stories should be in English, but we take a broad view of English, which includes dialect, accents, local slang, and non-English words that express nuances that standard English can’t.
- •Characters should be embedded in their settings. We should not be able to transplant the specifics of their story easily, even if they are based on common science fiction/fantasy archetypes.
- •Local takes on actual historical events are highly encouraged, although not necessary in alternate world settings. Mention in your submission email the specific event you are referencing.
- •Stories featuring queer characters, characters with disabilities, non-normative relationships, and other such non-mainstream narratives are welcome.
ETA: So apparently no one saw fit to mention to me that Indonesia was missing from the list and I had to find out through some wayward middleman tweeting that folks were feeling left out
So I’m editing and re-bageling for ALL THE INDONESIANS!
And if folks could keep reblogging this as a LINK and not convert it to text because it makes following reblogging kind of wonky, that’d be much appreciated
Y’all, blackwolfchng and I really want to see a lot of SEAsian contributors!! We have contacts from the Philippines, Malaysia, Singapore, Indonesia, a couple in Thailand, and SEAsian-American folx… if you have people in Cambodia, Burma, Timor, Brunei, and Laos that you think we should contact, let us know!!
I also want to specify that non-SEAsians with connections to SEA are also welcome.
I also want to specify that SEAsian ethnic groups who don’t exactly belong to any specific nation-state are also welcome.
I also want to specify that diaspora SEAsians are also welcome.
I also want to specify that SEAsia has a long history of trade with South Asia, Africa, Arabia and East Asian countries and we welcome stories about those histories as well.
THE POSSIBILITIES ARE LARGE AND ENDLESS.